Archive for March, 2012


Sunset at Devil's Thumb Ranch. All photos courtesy Courtney Drake-McDonough.

We woke up in the city but went to sleep in the old west. Well, almost. It was more like an idyllic vision of the old west –sprawling, pastoral, rustic, elegant and a whole lot of fun – but with all the modern conveniences.

This was our third stay at the 6,000-acre Devil’s Thumb Ranch. The first time was three years ago for a romantic anniversary getaway. The second time was last summer with the whole family to ride horses, hike, swim and experience scenery like the kids had never seen before – a mix of ranch, meadow and mountain. The first two times, we stayed in the main lodge, with its rustic yet plush décor.  This time, we stayed in a little cabin in the woods, one of 16.  The cabins, while lovely, are more

Our little cabin in the woods.

befitting their log walls and roof than the lodge. They are a little on the rough side but with plenty of comfort and all of the necessities – feather beds with handmade quilts, a kitchen, a living room and spacious bathroom.

Following the example of all other buildings at Devil’s Thumb Ranch, the cabins are built as green as possible with geothermal heat, courtesy of heated flooring not lost on bare feet on crisp, cool mornings.

By staying in the cabins, you can choose to cook your own meals. However, if your idea of a vacation getaway means getting as far away from cooking as possible, you are in luck. There are a variety of restaurant options for the whole family. Heck’s Tavern is casual, perfect for families, with kids’ menus for breakfast, lunch and dinner. Even the up-scale Ranch House Restaurant has a kid’s menu or half portions of adult entrees for kids with sophisticated palates. Stop into Hallowed Grounds Coffee House for sandwiches or a smoothie before heading out on a hike. Or just get a bite poolside from Heck’s.  All meals are prepared from scratch, using natural and local ingredients.

Our daughter at Wrangler Camp, learning to tend her horse before going on a ride.

On this trip, our daughter attended the Wrangler Camp, held in multiple sessions throughout the summer. Along with just six other kids, she learned horse-riding and horse-care skills including a little stint doing rodeo tricks. After nose-to-tail guided trail rides, the afternoons of Wrangler Camp were spent fly-fishing, swimming, taking aim with archery and searching on a scavenger hunt.

During those action-packed days, the rest of the family was free to take long hikes, enjoy the spa, game room and build an impromptu mini-log cabin. We also had fun just walking around the property, enjoying amazing views and seeing the various buildings including the Broad Axe Barn, Spa and the new Yager House, which houses family reunions, cooking classes, weddings and other special events. Up at the Stables, you can see horses, goats, chickens, rabbits, a calf that walks around like a dog, with the dogs and Stormy, the resident black cat.

At night, guests gravitate to Heck’s patio to make s’mores around the campfire, sharing stories, laughs and suggestions for hiking and biking trails – all with strangers. It’s a good lesson for kids to see that you can find things in common with people you don’t even know, who are there from other states and even countries.

Lodging rates vary at Devil’s Thumb, depending on the season and type of lodging you are looking for but there’s always some sort of

Imagine swimming with this view!

great deal going on. The cabins are more expensive than the Lodge rooms but then again you have a little cabin all to yourself and can save money by cooking your own food.  Sign up on their website (www.devilsthumbranch.com) to receive notification of lodging deals year-round.  Although the mid-week gets you the lowest rates, stick around for the weekend for the Cowpoke Camp. Giving kids and parents time together and time apart, the Camp lets kids ages 5 to 12 do fun western-themed activities like learning to lasso, build a compass, go fishing, taking a kiddie cooking class and more.

Devil’s Thumb Ranch has some amazing things planned for this spring and summer. This May, they’ll have a Mother/Daughter spa package. In June, July and August, there’s the Summer Wrangler Camps for kids 12 and up that our daughter attended.  For adults who like to cook and eat, there is a series of themed Chef Demonstrations followed by multi-course dinner with wine pairings. For adults who like to relax and be pampered, their extensive spa with its own patio area, private hot tub and spa menu brought to you as you luxuriate is enough to put you over the edge of bliss (and who couldn’t use a little of that?!)

For those who want to rough it a little more, go horseback-riding, take riding lessons, let the kids have a pony ride, go on a family wagon ride or get really serious and go on a cattle drive or zip-lining! I’m telling you, the folks at Devil’s Thumb Ranch are brilliant! There is literally something for every interest, taste and skill-level and it’s all beautiful.

The horses heading to the pasture to graze.

By the way, in case you are wondering about the name, Devil’s Thumb, according to local lore, after the warring Ute and Arapahoe tribes settled their differences in the Ranch Creek Valley area, they buried the Devil but left his thumb exposed to remind them of the evils of war. That “thumb” is an outcropping of rock on the Continental Divide visible from the Ranch. A Colorado couple and parents of two children, Bob and Susan Fanch, are the owners of Devil’s Thumb Ranch, intent on making the very sustainable property a getaway for everyone, from wedding parties to business groups to families. It’s a peaceful, kick-in-the-pants-fun place only about an hour and a half from Denver, making it a very doable escape.

Note: A version of this article originally ran on ColoradoParent.com in 2011.

Is fashion art? Mais oui!

When Denver Art Museum director, the charming Christoph Heinrich, began listing the reasons why Denver was the only choice for the exclusive U.S. appearance of  the  Yves Saint Laurent: The Retrospective, I was worried he was going to say “Because if it was good enough for Peyton Manning, it was good enough for YSL.”  Thankfully, he’s far too smart to say such a thing (although with breath-by-breath tracking of Manning, I wouldn’t be surprised).   Instead, he said “1. Because Denver has the most beautiful women, 2. the weather is so good and 3. the Hamilton Building was built to host world-class shows from world-class artists.”  Good answers!

When asked whether fashion really is art, Yves Saint Laurent partner Pierre Berge put it simply: “Fashion is simply fashion but it takes a  true artist to create great fashion.”  Magnifique!

I was fortunate enough to join several other members of the media at a sneak peek of Yves Saint Laurent: The Retrospectivethe new

Visitors will see outfit after outfit at the Yves Saint Laurent exhibit.

exhibit running at the Denver Art Museum March 25 – July 8.   We were even more fortunate to be given a personal tour by the tres chic Florence Mueller, chief curator of the exhibit. Looking every bit exactly the vision of a French woman with her diminutive bob hairstyle, red lipstick, black YSL dress and black with white polka dot, peep-toe shoes, she led us through the exhibit telling tales.

Yves Saint Laurent dress worn by Grace Kelly.

Even those who don’t particularly care about fashion will find the exhibit interesting.  Yves Saint Laurent clearly loved women and designed to accentuate their form, enhancing both their beauty and power.  Although he didn’t like to travel, he poured over books and magazines and researched the styles of other countries “for inspiration and sparks but always stayed true to himself”, as Heinrich explained. Sections of the exhibit are devoted to those inspired fashions from places like Russia, China and Morocco (where he did travel to and had a home).  There is a room saluting the famous women who have been his clients including the lovely Catherine Deneuve.  There is also an interesting replica of Saint Laurent’s studio.

Near the end of the exhibit, visitors walk through a gallery of small color swatches attached to pieces of notepaper. These were Saint Laurent’s snippets of color to try out that were only recently found in a file and have never been exhibited before their Denver appearance.

Round the corner of this room and you’ll be wowed.  In the large, angular room, to the right are three

The dramatic last room of the exhibit with a collection of evening gowns by Yves Saint Laurent.

lovely chandeliers illuminating mannequins staged to be mingling in their evening gowns. As with the rest of the exhibit, it  is interesting to see how few dresses really look dated. Although decades old, many are totally au courant. In the left corner of this room are two walls stacked with mannequins perched on ledges wearing the various versions of “le smoking”, the tuxedos Yves Saint Laurent was perhaps most famous for – putting women in pants for dressy events? Quel horreur!  My only objection was that the black tuxedos against a black wall made it difficult to focus on. I would have preferred a charcoal grey wall for some visual contrast. However, they did not ask me!  This room is a stunning end to this exhibit but fear not, the fun isn’t over.

On the main floor of the museum is the room of ever-changing-fun-and-creativity. This time, it is set up as the Fashion Studio where people of all ages can try their hand at sketching designs, draping fabrics, trying on clothing and even strutting down a runway.  Every weekend, a real, live fashion designer will be available to talk about what fashion design is really like.

Yves Saint Laurent: The Retrospective is a timed, ticketed event, however you can visit the Fashion Studio with general admission, without purchasing tickets to the exhibit.  But why would you want to do that?  It’s so worth it.

General Public Adult $     22.00
Youth (6-17) $     14.00
Senior (65+) /Student $     18.00
Members Adult $     14.00
Youth (6-17) $      6.00

Examine all of the details of Yves Saint Laurent's studio.

I suggest becoming a member for the discount and because the Denver Art Museum is such a wonderful place to go, all year round.


When most people think of comedy clubs, they think of dark, smoky joints and comedians on stage telling jokes for all they’re worth.  While some of that still takes place, minus the smoke, thankfully, Comedy Works is working hard to make sure they are more things to more people.

Comedy Works has been an institution in Colorado for 30 years, famous for the top-notch local and national comedians it draws.  Not content to rest on its Larimer Square location laurels, owner Wendy Curtis opened Comedy Works South at the Landmark in Greenwood Village a few years ago allowing for more seating space, a restaurant and lounge and special event rooms.

Things were going great with both locations and then the staff at Comedy Works got the brilliant idea to offer comedy shows fit for the 18+ crowd, music-lovers and families – yes, kids in a comedy club!

“People want good, clean family entertainment,” says Amy Howard, director of Special Programming. “When we had comedians come in who were family-friendly, it was a big success.” So they set out to find ways to bring in more parents and kids. Here are some upcoming examples of how Comedy Works South at Landmark is broadening its entertainment horizons:

Hazel Miller and her fabulous band will play at Comedy Works April 22.

R&B Brunch featuring Hazel Miller (April 22). While eating a delicious buffet brunch, Colorado’s own Hazel Miller and her band create the feeling that you’re part of a lucky gathering of friends sitting around in her living room for an impromptu music jam.

Participants at the Ultimate Family Gameshow Challenge. Photo courtesy Comedy Works.

Ultimate Family Game Show Challenge (April 29) 

gets families (sometimes multiple generations) on stage, competing at games based on real TV game shows. Family-friendly prizes have included tickets to the Downtown Aquarium, indoor skydiving and more.

Gospel Brunch (Mother’s Day, May 13) features the Colorado Ambassadors of Gospel along with a southern-style brunch. 

Howard has other family-friendly events planned throughout the year.  That’s great because more than just the comedy crowd should get to see the beautiful Landmark location. While the buffet line traffic flow and seating is crowded during brunches, the room itself is lovely. The elegant, shimmery brown walls of the performance stage catch the light beautifully.  The dangly beaded two-story chandelier in the entry way draws the eye from Lila B., the downstairs lounge up to Lucy, the posh upstairs dining room with a grand mosaic fireplace and white leather chairs with black buttons down the reminiscent of  sexy 1940’s pencil skirts.

The restaurant, Lucy, upstairs at The Comedy Works will start serving breakfast and lunch in addition to dinner starting May 1. Photo courtesy Comedy Works.

Lucy currently serves dinner Wednesday through Saturday from 5pm but will open for breakfast, lunch and dinner, seven days a week, starting May 1.  They will be offering a full breakfast menu with omelets, pancakes, eggs prepared a variety of ways and more. Lunch will feature sandwiches, burgers, salads and other lunchtime favorites. The dinner menu offers seafood and meat entrees, salads, pasta dishes and sandwiches.

Comedy clubs for good, clean family fun? That’s something to stand up for.

Comedy Works South at the Landmark: 5345 Landmark Pl., Greenwood Village. 720-274-6800.

Comedy Works at Larimer Square: 1226 15th St., Denver. 303-595-3637. http://www.ComedyWorks.com.

You should go see “Friends with Kids“, the new movie opening March 9, if you:

  • are single and annoyed by all of your friends who have kids and report on every move (including bowel movement) they make
  • are single parents, divorced or not
  • are thinking about having kids
  • babysit and think the parents are idiots and the family dysfunctional
  • sat next to a family with annoying kids at a nice restaurant that shouldn’t even allow kids
  • are married, exhausted, sleep- and sex-deprived and “living the dream” of parenthood

There’s no escaping the stark truth – marriage is difficult, parenting is really difficult and mixing the two together is…pick your adjective: ridiculous, soul-sucking, a gosh-darned-good-challenge, a recipe for disaster. Your answer will depend on your outlook and personal experience. Personally, I lean more toward “soul-sucking” but that’s just me.

The trick of the title is that the movie is about friends who have kids and then two friends who decide to HAVE a kid. After seeing the downward slide of their friends once they have children, two platonic friends, Julie (Jennifer Westfeldt) and Jason (Adam Scott) decide they can buck the system by having a child but avoiding marriage and therefore all of the fallout on the romantic relationship.  It all seems so logical and works for a while –  until it doesn’t.

The reason it works for a while is what should also be taken as a lesson to all couples contemplating or who have kids: Be respectful and kind to each other, offer the other parent help when they need it, maintain a sense of humor and give each other breaks from parenting on a regular basis. Brilliant!

But then, things start to fall apart for the co-parents when they start to have pesky feelings that mess everything up.  That’s when the movie starts to get predictable:  Two people care for each other platonically and then one starts to have feelings for the other. The other hooks up with someone else. Then, just when the first person has come to terms with never being with the second, the second develops feelings for the first only the first isn’t available anymore. And then there’s usually a realization of love followed by driving fast or running frantically to the other person and we have a happy ending. Sound familiar? Sure it does because it is a frequently-used storyline and we love it, again and again.

I found that storyline extra familiar because it was so similar to another Jennifer Westfeldt film, “Kissing Jessica Stein” (Westfeldt write, produced and starred in both), a film I love.  So redundancy aside, I still rooted for the couple to get together in the end, even though it was so predictable. What wasn’t predictable was filling the final love scene with unnecessary swearing.  It just gave a bitter taste to a happy ending. In fact, most of the swearing in the movie was just not necessary and was distracting.  Yet when one of the couple’s children repeats swear words, the parents just roll their eyes instead of getting the lesson that kids will repeat what you say so watch what you say. There, I’m off my soapbox.

Friends with Kids” stars many of the actors from “Bridesmades” including Maya Rudolph, Chris O’Dowd, Jon Hamm and Kristen Wiig. Megan Fox and Edward Burns are thrown in there for good measure.  The acting was very good, especially Jon Hamm’s breakdown scene in a Vermont lodge and Adam Scott’s realization scene at the end.  I never managed to feel much for the husband and wife team of Hamm and Wiig. Rudolph and O’Dowd’s performances were the highlight, following the range of relationship typical for couples adding children to their lives.

Full disclosure – I measure all space fantasy movies by the pre-teen memories I have from seeing the first Star Wars. Like a first love, it impacted me in ways that no others could ever. Had John Carter been released 30 years ago, I might have fallen head over heels for all the action, special effects and imaginative creatures. It might have been an ideal escape movie. Yet the movie falls short and feels heavily borrowed from Star Wars.

Despite my nostalgic preferences, 2012 viewers deserve a fair appraisal so I’ll do my best to review it from that perspective. Based on the book, “A Princess of Mars” by Edgar Rice Burroughs, it is nicely framed as a story told by an uncle to his favorite nephew (Burroughs) and cleverly jumps back and forth between planets and time periods.

The film is jam-packed with fast-moving thrills, yet the story telling is rushed. The very first Star Wars unfolded slowly enough to envelope the viewer in another world -  you had time to think and enjoy the views. Watching John Carter is exhausting as you try to follow the story details and identities of the shape-shifting aliens.

Visually, it is like trying to take in the view from a roller coaster -  you get a glimpse, then WHOOSH off you fly to the next busy scene. You’re never given quite enough time to savor the special effects, which are rich and deserving of lingering contemplation. Too bad Disney expended so much on the film’s landscape artistry, then prevents the viewer from enjoying the brilliant results.

The story needs editing – a good 30 minutes should be cut to improve the pace and story quality.  The lingering close-up shots of the beautiful Princess’ body and glowing blue eyes somehow get tedious -  there is little range of emotion. And where’s the HUMOR?! It appears in a few sporadic scenes, but not consistently or adequately. Enough of the story is so dark and heavy that a bit of humor would really enhance the entertainment value of the film. Slowing the pace even more is the drawn out love interest between Carter and the Princess. Lacking  humor and real passion (a la Princess Leia and Han Solo), their passion for each other is forced and their first kiss is no surprise.

I should mention that my date, who rolled her eyes when I said we were going to a space-adventure flick, thoroughly enjoyed herself. She didn’t even try to remember who was who and which planet was which. With the flashbacks to the late 1800′s, romance and heroism, she said “if I ignore the battling space aliens, it’s actually a good chick-flick”.  Fair enough.

I doubt that “John Carter” will be embraced as this generation’s outer space fantasy. John is too beefy, dark and humorless for teenage boys call their own. Already near superhuman on Earth, Carter’s great jumps on Mars are not so thrilling. Luke Skywalker was my hero because he was average, vulnerable, and uncertain. He came into his own during the movie, and gave me hope that I could survive being a scrawny, geeky, pimple-faced teen. John Carter just made me want to go to the gym and work out.

Andrea Riseborough as Wallis Simpson and James D’Arcy as Edward in Madonna’s W.E.

There are always at least two sides to every story.  In the real life romantic tale of King Edward’s VIII’s abdication of the British throne for the woman he loved, American divorcée Wallis Simpson, Simpson is often portrayed as manipulative to Edward’s pliable nature.  The fact that his brother had to then take over the throne is memorably portrayed in “The King’s Speech”.   “W.E.” gives the twist, the point of view of Wallis and how difficult the relationship was ON HER, from start to end.

The big surprise in this film is that it is co-written and co-produced by Madonna. Love her or hate her, she has an artist’s soul and a flair for theater that certainly comes through in the film.  Why “W.E.”? It is, supposedly, the abbreviation Wallis came up with for “Wallis” and “Edward” and the way they lovingly signed their joint name in love letters.

Wallis’ story is told in flashbacks, mirrored by Wally Winthrop, a young woman who, like her mother and grandmother were obsessed with Wallis Simpson, even naming Wally after her.  Abbie Cornish stands out as the beautiful, sad, longing Wally whose marital troubles and emotions run parallel to her idol’s. She even conjures up visions of Wallace for comfort and guidance.

The storyline is confusing at first with the two Wallace’s and reflections on Wallace Simpson’s first of three marriages (her first two husbands

Abbey Cornish is Wally and Oscar Isaac, Evgeni in W.E. Photos by Anthony Souza.

look a lot alike).  Once you get into the initial groove of who is who and which time periods you are slipping back and forth into, you are hooked. The pacing is very good and you get sucked in easily.  The only annoying thing remaining, and it was a big one for me, is the cinematography. I know it’s supposed to be very artsy to do tight, fast close-ups of things and 360 degree pans of people and places to create a sense of urgency, confusion and fear but c’mon! Let the actors and the scenery do some of that work all on their own without making our heads spin.

Sometimes beautiful, sometimes dizzying cinematography in W.E. Photos by Anthony Souza.

Cigarette smoking and its sensual, curling wafts almost become a character in both storylines, evoking the suffocation of the situations in the lives of these two women.  The clothing and room interiors are gorgeous. The music is perfectly suited.  Madonna’s behind-the-scenes work is impressive and gives credence to this next chapter in her career.

W.E. is Written by Madonna and Alek Keshishian, produced by Madonna and Kris Thykier and stars Abbie Cornish, Oscar Isaac, James D’Arcy, Andrea Riseborough, Natalie Dormer, Richard Coyle, James Fox and Laurence Fox.

The film opens today. 

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