Archive for April, 2012


I know two couples who found love (and then marriage, kids, the whole shebang) through online dating. They are the only people I

Can real love be found at the click of a mouse?

know personally who have tried online dating so judging by their success, my view of online dating is that it’s a pretty darned good idea. The concept of vetting people before you even have to step foot out of your house seems brilliant. Eliminate those who don’t agree with your politics, religion, basic feelings about life and you automatically increase the chances that the two of you will get along – as long as everyone has told the truth, that is.

These are the concepts behind DATE*, playing at Off Center at the Jones, in the DCPA complex. The play was written and performed (and lived) by Luciann Lajoie, who herself tried the world of online dating and pretty much hated it. She turned her disappointment in the process into the play after having interviewed lots and lots of real people who had gone through it too, successfully and not so.

DATE* takes place on a simple set with Lajoie talking to the audience, augmented by the videos that pop up behind her on what is supposed to be the wall of her apartment.  The strips of molding on the wall and file cabinet against the wall distort some of the video shots making it annoying to watch. It seems like that could have been, and should have been, worked around prior to the show’s opening.

While Luciann’s performance is good and heart-felt (it had better be since it’s about her personal experiences), there are uncomfortable moments. As she changes for her first date, is it really necessary for her to strip down to her underwear? Was it so necessary to slip in some T & A into this otherwise worthy play? The audience held its collective breath as she stripped down, wondering what we were all in for.  The clothing changes ended up being a clever and integral part of the storyline, however, as the most physical evidence of the date after date Lajoie went on in her online quest for love. Should she look artsy for this guy? Conservative for that one? As the parade of dates went on, everything in the play accelerates including her frantic clothing changes, always augmented, unfortunately by popping a pill and washing it down with some white wine. (Really, do drugs and alcohol have to permeate every slice of life for 20-30-somethings? Grow up! Face reality? You can’t escape it so deal with it!)

As much as I was drawn into the emotions, confessions and action of the play, I did want to get out of my seat, march down to the stage, grab her by the shoulders and scream “Stop it! Just stop!”  Finding a magnificent love is everyone’s dream whether they want to admit it or not. But come on! At what point do we stop torturing ourselves and just let it go? It IS okay to be single. It is NOT okay to humiliate oneself in the name of love. Be worthy of being alone with yourself and good things will come your way. (By the way, this bit of commentary is coming from someone who dated plenty but has also been married a long, long time.)

As DATE* shows us, even with all the supposed truth-telling, people still lie and misrepresent themselves. But sometimes, you get lucky and meet someone terrific, which, fortunately is the kind of up-note Lajoie leaves us with.

Make a date to see DATE* with your honey to feel very fortunate or, if you’ve been through dating in any form, nod in recognition feeling a little less alone in the world. But isn’t that what it’s all about?

DATE* runs through May 12. Tickets are $16. http://denveroffcenter.org/http://www.datetheplay.com/

Hanson’s Grill & Tavern is a little misleading. If you were to walk in for a beer, you’d be surprised to see the nicer dining room serving steak and pasta around the corner. Conversely, if you made reservations to take your husband there for a fancy birthday dinner, as I did (on a recommendation) and walked into the bar area, you’d be a little concerned.

The bar is the kind of neighborhood hangout where everyone knows your name.   It almost seemed silly to say “um, we have reservations for dinner”, yet we did and our perky, ripped-t-shirt clad hostess took us around the corner to a nice dining room caught in a 1980’s time warp.

The menu is ridiculously large yet nearly everything sounded really good. There are sixteen sandwich options and that doesn’t even cover the hamburgers…or pasta section…or wraps…or Mexican food!  It’s unreal.

We decided to skip the appetizers once we saw the sizes of them as they passed us on the way to neighboring tables. The Mile High Nachos, for example, were the size of a roast chicken, no kidding, with seasoned beef or chicken, refries, cheese, Mexican salad, sour cream and guacamole, $10. The appetizers are meals unto themselves.

We did partake of the French Onion Soup, $4-6 which was as it should be, beefy, oniony and really difficult to eat thanks to having to break through a layer of cheese and toast while not causing a splashy mess.  The house salad was a good foil to the soup with lots of color and a fluffy pile of mixed greens.

Everything is better topped with onion rings, especially this steak.

Although many things on the plentiful menu sounded really tempting like the BBQ Meat  Loaf Sandwich,  Classic Cheeseburger and Seafood Scampi, we went for the big guns – the Center Cut Top Sirloin ($19) and BBQ Ribs (half-rack $13, full-rack $19).  The Ribeye was maybe one of the best steaks I’ve ever had. The 12oz piece was marinated in roasted garlic and spices then grilled, served with a mound of creamy mashed potatoes (a sub for the baked potato that night), sautéed green beans with mushrooms and topped with three beer-battered onion rings that could have been bracelets.  The birthday boy went all out and ordered the full rack of BBQ Ribs and managed to eat only two, what with their meatiness and the French Onion Soup weighing him down.

We simply had to share a dessert despite being stuffed to the gills. The giant Deep Dish Brownie Sunday ($6) had a really chocolaty, gooey brownie topped with a scoop of vanilla ice cream, drizzled with chocolate syrup – and a candle.

We walked off the heavy meal taking advantage of Hanson’s position at one end of the charming and Old South Pearl Street shopping

Dessert came just as night fell and the lighting dimmed to a romantic glow.

district. Hanson’s Grill and Tavern is located at 1301 S. Pearl St., open Monday – Saturday from 11am and Sunday from 10:30 for brunch. 303-744-1052.

Wicked”, the prequel to “Wizard of Oz” takes a tornadic spin through Denver, wreaking laughter, catchy tunes and fun effects.

Glinda (Alli Mauzey) sets out to "fix" Elphaba (Mamie Parris) in "Wicked" playing the Buell Theatre through May 20. Photo courtesy Denver Center.

Wicked” is the oh-so-predictable tale of two girls from different sides of the color wheel who hate each other, then like each other, love the same boy, battle evil and ultimately triumph in their own special ways.  Soooo typical.

I jest, of course. “Wicked’s” storyline is clever, exciting, heartwarming as well as thought-provoking.  For those who are familiar with “The Wizard of Oz”, this will explain A-LOT like how the scarecrow came to be and why that tornado in Kansas might not have been just a force of nature.

This is the second time I’ve seen “Wicked” and I have to say, I enjoyed it more the second time around.  Although the lines are the same and the basic set up of each scene is the same, each actor brings their own particular spin to the role. Alli Mauzey, for example, plays Glinda to the hilt with perfect comic timing and a delicious blend of ditziness, goodness and spice.  Throughout the hilarious scene in which Glinda decides to makeover Elphaba, singing the familiar “Popular”, her gestures and facial expressions were right out of a collection of Molly Shannon skits, almost to the point of distraction. Still, funny as all get out! Something appeared to be giving Mauzey problems within her mouth the night I saw the show. Maybe some food was stuck or her mouth was dry, what with our altitude.  Fortunately it didn’t inhibit her great singing.

Elphaba, dear Elphaba, played by Mamie Parris, steals the heart (and the stage) at times. Her amazing voice gave me chills multiple

Mamie Parris plays "Elphaba" who represents the misfits in all of us in "Wicked". Photo courtesy Denver Center.

times and blended like cream with Mauzey’s. They were an excellent pairing.

I am partial to Elphaba, relating to her character and trials and tribulations as many people surely do. No, we don’t share her green skin color but most of us can relate to feeling a little different than everyone else,  desiring a life full of happiness yet not quite sure we’ll be able to achieve it.  We feel your green, Elphaba!

The costumes in “Wicked” are great fun –  a blending of Steam Punk and Dr. Seuss:  curvy, angular, twisted and off-kilter with wigs to match.

The sets are grand including the smokey-nostrilled dragon, flapping his wings and looming over the audience, a flashy Vegas-like Emerald City and giant clock-work elements.

The music is the highlight with the catchy, singable tunes.  But, no, don’t sing along during the performance! I’m talking to you, lady who sat behind me!  Stand-outs are “Popular”, “I’m Not That Girl”, “Defying Garvity”, “As Long As You’re Mine” and “For Good”.

Goody-goody Glinda, played by Allie Mauzey in "Wicked". Photo courtesy Denver Center.

You have a good, long opportunity to see “Wicked” which is playing until May 20 at the Buell Theatre. www.denvercenter.org, 303-893-4100 for tickets. Go! It’s wicked fun.

As a child, I remember being aware of Johnny Cash but not being a huge fan. It seemed like he and his wife June were all over TV.  He made me a little uneasy though with his somber personality and the black clothes he always wore (I didn’t know the reason, at the time).  He had that sort of ugly-sexy/bad-boy thing going on that I was conscious of but couldn’t quite wrap my brain around as a teen.  So when “Ring of Fire: The Music of Johnny Cash” opened at The Stage Theatre, I was anxious to go to learn more about him and his music.

Troy Burgess, Trenna Barnes and John Marshal lin the
Denver Center Theatre Company’s production of Ring
of Fire: The Music of Johnny Cash. Photo by Vicki Kerr.

At first, I was just confused. Two female and two male actors (with one set a little younger than the other), seemed to play the younger and older versions of Johnny and June. But then sometimes the younger two seemed to be their siblings or their children.  I wasn’t alone in my confusion. It was all the buzz in the ladies room at intermission.  In the second half, I decided to just forget about roles in a performance and look at it as a salute to his music, which, it turns out, was the intention all along.

With only enough dialogue to give a frame of reference, in the tradition of “Mama Mia”, where the body of work tells a story, Johnny Cash’s songs told of his life growing up to his passion for his wife, to his time in prison and his coming to terms with his life afterword.  It was a great way to let the songs speak for themselves as a journey for this man, as opposed to merely a collection of greatest hits. Highlights were “I’ve Been Everywhere”, “While I’ve Got IT On My Mind”, “Orleans Parish Prison” and “A Boy Named Sue”, which I was surprised to learn was written (words and music) by Shel Silverstein. Oh, and it turns out he took to wearing black after his prison stint, in an effort to show solidarity for all of those who were oppressed and downtrodden.

The performances were all excellent although great acting wasn’t really the point of this show. The voices were wonderful and the musicians were fantastic, filling in on their instruments, in singing and in some comic relief.

Ring of Fire: The Music of Johnny Cash is recommended for ages 6 and up.  Tickets start at $35.  The show runs through May 13.  Contact www.denvercenter.org or call 303-893-4100.

http://www.youtube.com/watch?v=cOvo8NhfgBY

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